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‐ [Narrator] Next
on Acapulco HEAT,

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00:00:01,924 --> 00:00:04,460
a war hero is unjustly
accused of murder.

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00:00:04,460 --> 00:00:06,963
‐ I'm afraid you have
to answer my questions.

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‐ [Narrator] And the HEAT
team uncovers a trail

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00:00:08,565 --> 00:00:11,734
of brainwashing, betrayal,
and assassination.

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00:00:11,734 --> 00:00:13,202
‐ It's show time.

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‐ [Narrator] Now, they're
trying to prove his innocence.

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‐ Something's
definitely wrong here.

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‐ There are two
whole days missing.

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‐ [Narrator] Before
he loses his life.

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‐ A perfect target.

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Why isn't he dead?

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‐ [Narrator] Catch the heat.

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Acapulco HEAT.

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(techno music)

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♪ I feel the heat, yeah

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♪ I feel the heat

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♪ Burning inside me

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♪ Burning hot hot

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♪ Feel the heat

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♪ Hot hot hot

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♪ Sweat dripping down my spine

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♪ Making me crazy

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♪ Fingers touching mine

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♪ Making me hazy

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♪ Out on the street

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♪ I feel the heat

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♪ Burning inside me

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♪ Burning hot

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♪ I feel the heat

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♪ Burning inside me

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♪ Burning hot, hot

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♪ I feel the

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♪ Ah, can you feel it?

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♪ Deep, deep in your soul

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♪ Oh whoa whoa, feel that

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♪ I feel the heat

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♪ Burning inside me

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♪ Burning hot, hot

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♪ I feel the heat

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♪ Burning inside me

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♪ Burning hot, hot

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♪ I feel the heat

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♪ Burning inside me

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♪ Burning hot, hot

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♪ I feel the heat

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♪ Burning inside me

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♪ Burning hot, hot

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♪ I feel the heat

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(intriguing rock music)

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‐ Yeah, yeah!

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‐ Hey, Marco.

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You playing or what?

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‐ I'm coming, I'm coming.

55
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‐ Next time, I'll get
the ball, all right?

56
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‐ Ha ha!

57
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Yes!
‐ Woo!

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‐ What'd I say to you, buddy?

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Zen and the art of volleyball.

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Know your opponent's mind,

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victory shall be yours.

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(laughing)

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‐ Way to go, Romeo.

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‐ Oh, I'm sorry,

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I got something in my eye.

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‐ Yeah, right.

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Now are you gonna cruise babes,

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or are you gonna play the game?

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(laughs)

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Now what?

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‐ Hey, no sweat,
I'll take his place.

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‐ Careful, old‐timer.

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Remember what happened
to you the last time

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you did something strenuous?

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Put your back out for a week.

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(laughing)

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‐ Hey, don't worry, grandma,

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you're look at the Brooklyn
YMCA's ex‐champion center.

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‐ Was that before or
after World War II?

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‐ Quiet.
(laughing)

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00:04:26,382 --> 00:04:28,918
‐ I'm afraid jumping
up and down on hot sand

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isn't my idea of fun in the sun.

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So, if you'll excuse me.

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(thuds)
(laughs)

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‐ Oh, Mike.

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(watch beeps)

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(computer beeps)

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‐ Sorry to drag you away
from your strenuous duties.

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But you're about to receive
some important guests.

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‐ Mexico's Oil Minister
and the Arab Oil Cartel.

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We know, it's been in
the papers for weeks.

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‐ Yeah, Mexico's
working on some kind of

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technology deal, right?

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‐ I'm glad to see you
two are keeping up

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with current events.

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However, the guests
that I was referring to

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are Commander Alex Lassiter
and his new bride, Simone.

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‐ Lassiter, the Navy SEAL?

99
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‐ Wasn't he awarded the Medal
of Honor during Desert Storm?

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‐ Yeah, I met him a couple
times back in the United States

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when I was still with the CIA.

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‐ The Lassiters are
coming to Puerto Vallarta

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for their honeymoon.

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‐ I guess you're not
calling so we can

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send over champagne, right?

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‐ That's right.

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The FBI says that Lassiter
was followed here in New York

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by two known Iraqi agents.

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They believe he may be on the
Iraqi death squad hit list.

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‐ Have they offered them
official protection?

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‐ He won't accept it, which
is why the job falls to you.

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‐ What about our cover?

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‐ Well, as far as
Lassiter knows,

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you're friends of a
friend of a friend

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who have generously offered

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to show them around
Puerto Vallarta.

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‐ That's crazy,
Lassiter knows me.

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He's gonna smell a rat.

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‐ Well, if he does,
I'm sure you'll be able

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to think of some
logical explanation.

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You've always been pretty
good at thinking on your feet.

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‐ Thanks.

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‐ Ashley.

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This is Commander Lassiter.

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(suspenseful music)

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‐ Marcos, I want you to
pick up a Commander Lassiter

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and his wife.

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They're flying in
from Mexico City.

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‐ Gentlemen, it is
with great honor

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that I welcome
you to my country.

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‐ We are honored to be here.

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‐ Please, come with me,

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I have prepared a
certain dining room.

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(light jazz music)

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‐ Can I help you with
something, Ashley?

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‐ Well, actually, I
had asked the concierge

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to send some flowers up
to the honeymoon suite,

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and I was going to see
whether you'd organized it.

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‐ I took care of it personally.

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‐ You did?
‐ Yes, I did.

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‐ Thank you, Claudio,
that's very kind of you.

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Mike, it's all set.

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‐ He should be here any minute.

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‐ What's he like?

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‐ Well he's a nice guy.

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Low key, good sense of humor.

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Come on, see for yourself.

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(car door slams)

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‐ Thank you.
‐ My pleasure, Senora.

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‐ Whoa, here you go, thanks pal.

151
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‐ Gracias.

152
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‐ Well I can't wait
to get out of my suit.

153
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‐ Mmm, I can't wait to help you.

154
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‐ Commander Lassiter.

155
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Nice to see you
again, Mike Savage.

156
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‐ Oh do I know you?

157
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‐ Maybe not, my mistake,

158
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I thought I met you before.

159
00:08:00,723 --> 00:08:03,159
This is Ashley
Hunter‐Coddington.

160
00:08:03,159 --> 00:08:04,193
‐ How do you do?

161
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‐ Welcome to Puerto Vallarta.

162
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‐ Thank you, thank you.

163
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This is my beautiful
wife, Simone.

164
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‐ Nice to meet you.

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‐ Anyways, why don't
you two get checked in,

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and then later on, Ashley
and I will show you around.

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‐ Thanks.

168
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Hey where the hell are the bags?

169
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‐ Alex.

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‐ Sorry.

171
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I'll go check in.

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(intriguing music)

173
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‐ You'll have to excuse
Alex, he's just a bit tired.

174
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‐ Oh, I know the feeling.

175
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Don't worry about it.

176
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‐ Coming, darling?

177
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‐ Is something wrong?

178
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‐ He knows me.

179
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I've met him three
or four times.

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I can't believe he
didn't remember me.

181
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But I was in no big hurry
to explain what an ex‐spook

182
00:08:52,742 --> 00:08:55,645
is down here working on
the welcoming committee.

183
00:08:55,645 --> 00:08:58,881
‐ So maybe his bad
memory is a blessing.

184
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‐ I don't know, maybe.

185
00:09:00,557 --> 00:09:01,390
Come on.

186
00:09:05,294 --> 00:09:08,030
(dramatic music)

187
00:09:40,496 --> 00:09:40,963
‐ Excuse me.
‐ Yes.

188
00:09:52,742 --> 00:09:55,244
(touch tones)

189
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‐ The water's flowing.

190
00:10:06,195 --> 00:10:07,797
(fun pop music)

191
00:10:07,797 --> 00:10:10,032
‐ [Mike] Okay guys, Lassiter's
here on his honeymoon,

192
00:10:10,032 --> 00:10:11,668
so we don't want
to cramp his style.

193
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Since he refused
official protection,

194
00:10:13,570 --> 00:10:15,171
keep the surveillance loose,

195
00:10:15,171 --> 00:10:16,973
and try to look like
you're having fun.

196
00:10:16,973 --> 00:10:19,642
(fun pop music)

197
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(ocean roars and waves crash)

198
00:11:49,138 --> 00:11:50,840
‐ And to think I was angry that

199
00:11:50,840 --> 00:11:53,843
Alex insisted we come here
instead of the Riviera.

200
00:11:53,843 --> 00:11:55,645
This is quite a special
place, isn't it darling?

201
00:11:55,645 --> 00:11:56,545
‐ The best.

202
00:11:57,714 --> 00:11:59,421
‐ Even better than
Atlantic City?

203
00:11:59,421 --> 00:12:01,958
‐ I wouldn't know,
I've never been there.

204
00:12:01,958 --> 00:12:03,793
Let's go upstairs.

205
00:12:03,793 --> 00:12:05,227
‐ I wanna see all
the sights yet.

206
00:12:05,227 --> 00:12:07,063
‐ I wanna go upstairs now.

207
00:12:07,063 --> 00:12:08,865
‐ There's no arguing
with a new husband.

208
00:12:08,865 --> 00:12:13,202
(laughs)
(mysterious music)

209
00:12:13,202 --> 00:12:14,871
They're heading
your way, High Dive.

210
00:12:14,871 --> 00:12:17,339
‐ [Cat] Okay, we'll keep
an eye on them for you.

211
00:12:17,339 --> 00:12:20,509
‐ Boy, Lassiter's wound
up tighter than a drum.

212
00:12:20,509 --> 00:12:22,544
‐ What was that
about Atlantic City?

213
00:12:22,544 --> 00:12:24,246
‐ I saw him there
a few years ago

214
00:12:24,246 --> 00:12:26,348
at a Defense Department seminar.

215
00:12:26,348 --> 00:12:28,785
It's possible that he
could've forgotten me, but.

216
00:12:28,785 --> 00:12:31,520
‐ Strange that he'd
forget a whole city.

217
00:12:31,520 --> 00:12:32,889
‐ Exactly.

218
00:12:32,889 --> 00:12:37,059
(knocking on door)
(sighs)

219
00:12:56,012 --> 00:12:57,580
‐ Compliments of the hotel, sir.

220
00:12:58,781 --> 00:12:59,989
‐ Thanks, here.

221
00:13:02,592 --> 00:13:04,794
Hey honey, look what
the hotel gave us.

222
00:13:04,794 --> 00:13:06,228
‐ Oh, how nice of them.

223
00:13:06,228 --> 00:13:08,831
Let's have it out here, darling.

224
00:13:08,831 --> 00:13:11,233
(corks pops)

225
00:13:13,936 --> 00:13:17,273
(strange ominous music)

226
00:13:42,865 --> 00:13:45,301
(touch tones and ringing)

227
00:13:47,637 --> 00:13:51,941
(whispering in foreign language)

228
00:13:51,941 --> 00:13:56,312
(people laughing and talking)

229
00:13:56,312 --> 00:14:00,089
(loud screaming)
(dramatic intense music)

230
00:14:00,089 --> 00:14:02,859
(people yelling)

231
00:14:34,123 --> 00:14:34,520
‐ Anything?

232
00:14:36,158 --> 00:14:37,326
‐ No, not yet.

233
00:14:41,063 --> 00:14:42,164
‐ I think we should come back

234
00:14:42,164 --> 00:14:44,834
and make a more thorough search.

235
00:14:51,473 --> 00:14:53,643
‐ I regret having to question
you in your time of grief,

236
00:14:53,643 --> 00:14:57,814
Commander, but I am afraid you
have to answer my questions.

237
00:14:59,221 --> 00:15:03,125
Where exactly were you when
your wife fell from the balcony?

238
00:15:04,460 --> 00:15:06,428
‐ I was in the
bathroom showering.

239
00:15:06,428 --> 00:15:09,966
‐ So you didn't
see the accident?

240
00:15:09,966 --> 00:15:13,770
‐ No, I opened a bottle
of champagne and we drank.

241
00:15:13,770 --> 00:15:16,673
‐ Excuse me, Commander, I
check with room service.

242
00:15:16,673 --> 00:15:19,909
They show no records of
champagne ordered by you.

243
00:15:19,909 --> 00:15:22,278
‐ I didn't order it.

244
00:15:22,278 --> 00:15:25,114
A waiter brought it, he
said is was complimentary.

245
00:15:25,114 --> 00:15:26,248
‐ I checked that also.

246
00:15:26,248 --> 00:15:29,752
Nobody remembers authorizing it.

247
00:15:29,752 --> 00:15:32,354
‐ This waiter, do you
remember what he looked like?

248
00:15:32,354 --> 00:15:33,923
‐ I don't know.

249
00:15:33,923 --> 00:15:36,092
Dark hair, mustache maybe.

250
00:15:37,293 --> 00:15:39,662
Look, I don't recall, do
we have to do this now?

251
00:15:39,662 --> 00:15:41,931
‐ I'm afraid.
‐ She's dead!

252
00:15:41,931 --> 00:15:44,667
Don't you people
understand that?

253
00:15:49,305 --> 00:15:51,073
‐ Can the rest of
your questions wait

254
00:15:51,073 --> 00:15:53,643
until the Commander's
feeling better?

255
00:15:53,643 --> 00:15:54,877
‐ I have no more questions.

256
00:15:54,877 --> 00:15:56,746
I am satisfied that
the Senora's death

257
00:15:56,746 --> 00:16:00,723
was nothing more than a
terrible tragic accident.

258
00:16:00,723 --> 00:16:04,393
Please accept my deepest
regrets, Commander.

259
00:16:04,393 --> 00:16:05,762
‐ And mine as well, Commander,

260
00:16:05,762 --> 00:16:08,598
on the behalf of the hotel.

261
00:16:08,598 --> 00:16:09,932
‐ Buenas tardes.

262
00:16:12,134 --> 00:16:15,905
(mysterious chords)

263
00:16:15,905 --> 00:16:18,374
‐ Look, if there's
anything we can do for you,

264
00:16:18,374 --> 00:16:20,810
please don't hesitate to ask.

265
00:16:26,148 --> 00:16:27,950
‐ She's gone, I
don't believe it.

266
00:16:27,950 --> 00:16:31,621
‐ Alex, I don't think you
should spend the night alone.

267
00:16:31,621 --> 00:16:32,822
‐ No, I'm okay.

268
00:16:32,822 --> 00:16:35,558
‐ Please, let Mike
stay with you.

269
00:16:36,458 --> 00:16:37,293
‐ Okay.

270
00:16:38,961 --> 00:16:39,896
She's dead.

271
00:16:45,768 --> 00:16:48,738
‐ What I don't get is
how trained assassins

272
00:16:48,738 --> 00:16:51,007
would pick off Simone
when the real target was

273
00:16:51,007 --> 00:16:53,375
showering in the next room.

274
00:16:53,375 --> 00:16:56,378
(intriguing chords)

275
00:17:01,223 --> 00:17:04,126
(talking in sleep)

276
00:17:05,361 --> 00:17:06,663
‐ Hey.

277
00:17:06,663 --> 00:17:07,730
‐ Tell me first!

278
00:17:07,730 --> 00:17:09,265
(yelling)

279
00:17:09,265 --> 00:17:10,700
‐ Hey.
‐ Get away!

280
00:17:13,870 --> 00:17:16,472
‐ Calm down, man, you're
having a nightmare.

281
00:17:16,472 --> 00:17:17,574
Take it easy.

282
00:17:20,176 --> 00:17:22,011
What the hell were
you dreaming about?

283
00:17:22,011 --> 00:17:24,346
Come on, maybe I could help.

284
00:17:25,682 --> 00:17:27,684
‐ I'm tied up in a room.

285
00:17:30,620 --> 00:17:32,789
There are these...

286
00:17:32,789 --> 00:17:33,823
There are no windows,

287
00:17:33,823 --> 00:17:36,192
and there are these men.

288
00:17:36,192 --> 00:17:39,128
Men without faces, and
they're saying things

289
00:17:39,128 --> 00:17:43,199
that I can't hear, and doing
things that I can't feel.

290
00:17:43,199 --> 00:17:45,167
‐ How long have you
been having this dream?

291
00:17:45,167 --> 00:17:47,269
‐ Over the last two years.

292
00:17:47,269 --> 00:17:49,305
Til I met Simone.

293
00:17:49,305 --> 00:17:51,641
‐ These men without faces,

294
00:17:51,641 --> 00:17:55,111
do you have any
idea who they are?

295
00:17:55,111 --> 00:17:56,378
‐ No.

296
00:17:56,378 --> 00:17:58,447
‐ You know, Alex,
don't get me wrong,

297
00:17:58,447 --> 00:18:01,624
but there's doctors in the Navy

298
00:18:01,624 --> 00:18:03,793
that can help you with
these kind of problems,

299
00:18:03,793 --> 00:18:05,261
they're specialists.

300
00:18:05,261 --> 00:18:07,463
‐ What are you saying I'm crazy?

301
00:18:07,463 --> 00:18:08,698
‐ No, I get it.

302
00:18:10,332 --> 00:18:11,500
You all right?

303
00:18:13,570 --> 00:18:15,104
Okay.

304
00:18:15,104 --> 00:18:16,505
Go back to sleep.

305
00:18:27,149 --> 00:18:30,352
‐ Simone mentioned that
you both met in New York.

306
00:18:30,352 --> 00:18:32,554
Was that a long time ago?

307
00:18:32,554 --> 00:18:34,490
‐ No, three months ago.

308
00:18:36,726 --> 00:18:38,460
We hit it off that night,

309
00:18:38,460 --> 00:18:41,831
and went to lunch the next day.

310
00:18:41,831 --> 00:18:46,135
Pretty much right then, I knew
Simone was the one for me.

311
00:18:46,135 --> 00:18:48,104
Yeah, you know, I haven't
had much peace in my life,

312
00:18:48,104 --> 00:18:49,606
and you know, I...

313
00:18:50,973 --> 00:18:53,309
First time I ever felt
that peace was in her arms.

314
00:18:53,309 --> 00:18:55,645
(sad music)

315
00:18:57,880 --> 00:19:00,790
Listen, can we get outta here?

316
00:19:00,790 --> 00:19:02,959
‐ Can I take you for a drive?

317
00:19:02,959 --> 00:19:04,226
‐ Great.
‐ Okay.

318
00:19:13,936 --> 00:19:17,139
I'll take you past Conchas
Chinas, along the coast,

319
00:19:17,139 --> 00:19:19,041
it's really beautiful.

320
00:19:19,041 --> 00:19:21,110
‐ Well, maybe it'll help.

321
00:19:22,979 --> 00:19:25,547
(engine revving)
(dramatic music)

322
00:19:25,547 --> 00:19:28,384
(tires squealing)

323
00:19:29,551 --> 00:19:30,953
You all right?

324
00:19:30,953 --> 00:19:32,989
‐ I think so, oh God.

325
00:19:32,989 --> 00:19:35,091
‐ That guy must be drunk.

326
00:19:39,729 --> 00:19:42,331
‐ [Mike] You did not see
who was driving the car?

327
00:19:42,331 --> 00:19:45,201
‐ No, it all happened
much too quickly.

328
00:19:45,201 --> 00:19:47,604
‐ And you're certain
it was no accident?

329
00:19:47,604 --> 00:19:49,505
‐ How can I possibly be certain?

330
00:19:49,505 --> 00:19:51,674
Maybe it was drunk driver.

331
00:19:55,011 --> 00:19:59,355
‐ Could they have possibly
been trying to hit Alex?

332
00:19:59,355 --> 00:20:01,591
‐ No, it wasn't even close.

333
00:20:02,592 --> 00:20:05,261
Mike, it's all so strange.

334
00:20:05,261 --> 00:20:09,331
The accident, the balcony,
Alex's nightmares.

335
00:20:09,331 --> 00:20:11,167
‐ What about those nightmares?

336
00:20:11,167 --> 00:20:13,469
‐ I keep wondering
what triggered them.

337
00:20:13,469 --> 00:20:15,972
You said they started
two years ago.

338
00:20:15,972 --> 00:20:17,774
What happened two years ago?

339
00:20:17,774 --> 00:20:19,842
‐ Twins beat the Braves
in the World Series.

340
00:20:19,842 --> 00:20:22,779
‐ And the allies defeated
Saddam in the Gulf.

341
00:20:22,779 --> 00:20:26,415
‐ Bingo, two years ago, Alex
came back from Desert Storm.

342
00:20:26,415 --> 00:20:28,685
‐ Mike, I know this
sounds far‐fetched,

343
00:20:28,685 --> 00:20:31,120
but I'm convinced that
there is some correlation

344
00:20:31,120 --> 00:20:33,890
between Simone's death
and Alex's nightmares.

345
00:20:33,890 --> 00:20:36,826
(mysterious music)

346
00:20:58,881 --> 00:20:59,822
(dishes and tray clanging)

347
00:20:59,822 --> 00:21:00,623
‐ Are you all right, sir?

348
00:21:00,623 --> 00:21:01,891
‐ Yeah, yeah yeah.

349
00:21:01,891 --> 00:21:03,159
‐ I am terribly sorry, sir.
‐ I'm fine.

350
00:21:03,159 --> 00:21:05,928
(dramatic music)

351
00:21:08,665 --> 00:21:10,867
Hold the elevator,
hold that elevator.

352
00:21:10,867 --> 00:21:14,370
(fast‐paced action music)

353
00:21:41,397 --> 00:21:42,765
‐ Platform, this is Backflip.

354
00:21:42,765 --> 00:21:43,666
I lost him.

355
00:21:51,040 --> 00:21:52,575
Looked everywhere.

356
00:21:52,575 --> 00:21:54,844
I'm telling you, Lassiter's
just disappeared.

357
00:21:54,844 --> 00:21:57,346
‐ Don't worry, we'll find him.

358
00:21:58,748 --> 00:22:01,357
Unless Claudio finds him first.

359
00:22:01,357 --> 00:22:03,159
‐ Hey fellas.

360
00:22:03,159 --> 00:22:06,062
‐ Alex, we were
wondering where you were.

361
00:22:06,062 --> 00:22:08,164
‐ I had to get out,
I went for a walk.

362
00:22:08,164 --> 00:22:09,331
‐ We're about to have lunch.

363
00:22:09,331 --> 00:22:10,567
Will you join us?

364
00:22:10,567 --> 00:22:12,835
‐ We'll catch up with
you in a little bit.

365
00:22:12,835 --> 00:22:14,070
‐ Thanks, guys.

366
00:22:19,475 --> 00:22:21,644
‐ Something's
definitely wrong here.

367
00:22:21,644 --> 00:22:26,182
‐ Alex walking on the beach
by himself, a perfect target.

368
00:22:26,182 --> 00:22:27,684
Why isn't he dead?

369
00:22:28,851 --> 00:22:31,520
‐ Maybe we missed
something, huh?

370
00:22:33,155 --> 00:22:35,024
‐ I got here as fast as I could.

371
00:22:35,024 --> 00:22:36,025
‐ Good luck.

372
00:22:37,860 --> 00:22:40,663
(whispers in foreign language)

373
00:22:40,663 --> 00:22:44,000
‐ They're saying
something about a ring.

374
00:22:45,434 --> 00:22:46,603
A bird?

375
00:22:46,603 --> 00:22:49,338
‐ [Krissie] What?
(whispering)

376
00:22:49,338 --> 00:22:51,073
‐ Not a bird, a dove.

377
00:22:52,909 --> 00:22:53,743
A trigger.

378
00:22:55,812 --> 00:22:58,981
(audio cuts out)
Damn.

379
00:23:00,156 --> 00:23:02,358
‐ Could you make any
sense of that at all?

380
00:23:02,358 --> 00:23:03,159
‐ None.

381
00:23:04,594 --> 00:23:06,128
Afraid my Arabic's a bit rusty.

382
00:23:06,128 --> 00:23:07,363
Were you able to trace the call?

383
00:23:07,363 --> 00:23:08,698
‐ Yeah, Baghdad.

384
00:23:11,267 --> 00:23:14,103
I've been monitoring all the
calls to the Arab's suite,

385
00:23:14,103 --> 00:23:15,137
just in case.

386
00:23:15,137 --> 00:23:16,606
The last phone call that came in

387
00:23:16,606 --> 00:23:18,507
triggered the
computer alert system,

388
00:23:18,507 --> 00:23:19,742
because the call originated

389
00:23:19,742 --> 00:23:22,879
from a known
terrorist's safe house.

390
00:23:22,879 --> 00:23:25,514
Where does that leave us?

391
00:23:25,514 --> 00:23:27,584
‐ With a mystery that
started somewhere back

392
00:23:27,584 --> 00:23:29,251
during Desert Storm.

393
00:23:30,519 --> 00:23:32,789
(clicking)

394
00:23:37,994 --> 00:23:39,428
‐ That's it.

395
00:23:39,428 --> 00:23:40,663
Wanna play them again?

396
00:23:40,663 --> 00:23:42,098
‐ Unless you have a better plan.

397
00:23:42,098 --> 00:23:43,933
‐ How about a jacuzzi?

398
00:23:45,034 --> 00:23:46,903
Okay, one more time.

399
00:23:46,903 --> 00:23:49,138
(clicking)

400
00:23:50,907 --> 00:23:52,675
‐ I'm looking for
some traumatic event

401
00:23:52,675 --> 00:23:55,978
that might have happened
during that mission,

402
00:23:55,978 --> 00:23:59,521
which would've had a profound
impact on his consciousness.

403
00:23:59,521 --> 00:24:01,357
‐ What are you talking about?

404
00:24:01,357 --> 00:24:03,359
‐ I'm talking about
Alex's nightmares.

405
00:24:03,359 --> 00:24:05,027
‐ Well, the Pentagon said

406
00:24:05,027 --> 00:24:07,697
he was on a 10‐day,
one‐man mission,

407
00:24:07,697 --> 00:24:10,199
during which time he was
in and out of contact

408
00:24:10,199 --> 00:24:11,533
with his radio base.

409
00:24:11,533 --> 00:24:15,137
‐ How many days, did you say?
‐ 10.

410
00:24:15,137 --> 00:24:17,039
‐ Mike, stop it.

411
00:24:17,039 --> 00:24:18,207
Okay, go back.

412
00:24:21,010 --> 00:24:23,012
Look, check the numbers.

413
00:24:24,614 --> 00:24:26,583
There are two
whole days missing.

414
00:24:26,583 --> 00:24:28,384
‐ Well maybe our
ever‐efficient Mr. Smith

415
00:24:28,384 --> 00:24:30,052
didn't send us all
the photographs.

416
00:24:30,052 --> 00:24:30,887
‐ Wrong.

417
00:24:32,655 --> 00:24:34,691
All the photographs
are numbered,

418
00:24:34,691 --> 00:24:37,860
and they're in
sequence, check it out.

419
00:24:40,863 --> 00:24:43,733
‐ Well, how could two
days possibly be missing?

420
00:24:43,733 --> 00:24:45,067
‐ You tell me.

421
00:24:45,067 --> 00:24:47,704
‐ Maybe I better round
up Brett and Tommy boy.

422
00:24:47,704 --> 00:24:50,673
As they say in the Navy SEALS,
it's time for a little...

423
00:24:50,673 --> 00:24:52,008
Growl and prowl.

424
00:24:56,679 --> 00:24:57,947
‐ I got this from the phone tap,

425
00:24:57,947 --> 00:24:59,789
must be some kind of a code.

426
00:24:59,789 --> 00:25:01,924
‐ Destroy the dove.

427
00:25:01,924 --> 00:25:04,326
Dove, that word again.

428
00:25:04,326 --> 00:25:06,663
Dove, ring, trigger.

429
00:25:06,663 --> 00:25:08,397
Does that mean anything to you?

430
00:25:08,397 --> 00:25:11,100
‐ I don't understand
it, but get this,

431
00:25:11,100 --> 00:25:14,704
the person who took the call
from the cartel's suite,

432
00:25:14,704 --> 00:25:16,405
it might have been Ali Mustafa.

433
00:25:16,405 --> 00:25:19,141
‐ Mustafa, why do
you think that?

434
00:25:19,141 --> 00:25:22,278
‐ FBI voice
recognition database.

435
00:25:22,278 --> 00:25:24,313
I mean, it didn't
match perfectly,

436
00:25:24,313 --> 00:25:26,515
but it's close enough.

437
00:25:26,515 --> 00:25:28,785
The only problem is,
I can't get a recent

438
00:25:28,785 --> 00:25:30,452
ID photo of Mustafa.

439
00:25:31,654 --> 00:25:34,857
Apparently he's had a
lot of facial surgery.

440
00:25:34,857 --> 00:25:37,259
(door opens)

441
00:25:44,000 --> 00:25:45,868
‐ These are from the balcony
railing that broke loose

442
00:25:45,868 --> 00:25:47,336
at the honeymoon suite.

443
00:25:47,336 --> 00:25:49,906
‐ Claudio says the hotel's
only three years old.

444
00:25:49,906 --> 00:25:51,708
It's built as solid as a rock.

445
00:25:51,708 --> 00:25:54,811
‐ So why would a balcony
railing suddenly break loose?

446
00:25:54,811 --> 00:25:57,046
Unless it was deliberate.

447
00:25:57,046 --> 00:25:58,280
‐ And look at the
fresh screwdriver marks

448
00:25:58,280 --> 00:26:01,057
all over the heads
of those bolts.

449
00:26:02,491 --> 00:26:05,527
‐ Well, I guess we can rule
out an accident, partner.

450
00:26:05,527 --> 00:26:08,430
‐ Definitely.
(electronic noises)

451
00:26:08,430 --> 00:26:09,431
‐ This is Spring Board.

452
00:26:09,431 --> 00:26:10,600
Go ahead, Deep End.

453
00:26:10,600 --> 00:26:11,568
‐ [Brett] Spring
Board, I'm at the rear

454
00:26:11,568 --> 00:26:13,469
of the hotel parking lot.

455
00:26:13,469 --> 00:26:15,905
Target is speaking with an Arab.

456
00:26:15,905 --> 00:26:17,674
‐ [Krissie] Patch
us in, Deep End.

457
00:26:17,674 --> 00:26:20,309
(radio static)

458
00:26:20,309 --> 00:26:21,644
‐ [Arab] As soon as we
hear from your friend

459
00:26:21,644 --> 00:26:22,679
back at the suite.

460
00:26:22,679 --> 00:26:24,180
Now, return to the hotel.

461
00:26:24,180 --> 00:26:25,214
(dinging)

462
00:26:25,214 --> 00:26:26,716
‐ [Brett] Uh‐oh, gotta go.

463
00:26:26,716 --> 00:26:28,417
Target's on the move again.

464
00:26:28,417 --> 00:26:29,986
‐ I wanna know what
Lassiter's assignment is,

465
00:26:29,986 --> 00:26:31,387
and I wanna know it fast.

466
00:26:31,387 --> 00:26:34,390
(suspenseful music)

467
00:26:59,421 --> 00:27:00,823
(pounding)

468
00:27:10,299 --> 00:27:12,034
‐ Are you all right?

469
00:27:12,034 --> 00:27:13,870
‐ Uh, I need a doctor.

470
00:27:18,841 --> 00:27:21,110
(whimpers)

471
00:27:49,706 --> 00:27:51,107
‐ Operator, may I help you?

472
00:27:51,107 --> 00:27:54,410
‐ A young lady has
collapsed in the corridor.

473
00:27:54,410 --> 00:27:55,544
She's in my suite.

474
00:27:55,544 --> 00:27:56,913
‐ Don't move her.

475
00:27:56,913 --> 00:27:59,856
Dr. Chavez will be right up.

476
00:27:59,856 --> 00:28:00,657
Show time.

477
00:28:06,996 --> 00:28:09,265
(knocking)

478
00:28:16,639 --> 00:28:18,307
‐ Dr. Chavez, senor.

479
00:28:27,549 --> 00:28:30,953
Just relax, everything
will be all right.

480
00:28:33,956 --> 00:28:35,357
(cracking noise)
(groans and mumbles)

481
00:28:35,357 --> 00:28:36,559
‐ Ah, is she okay?

482
00:28:36,559 --> 00:28:38,294
‐ Yeah, it's probably
just the heat,

483
00:28:38,294 --> 00:28:40,663
some cold water on
her face might help.

484
00:28:40,663 --> 00:28:42,565
‐ The bathroom's through there.

485
00:28:42,565 --> 00:28:43,399
‐ Okay.

486
00:28:51,073 --> 00:28:53,075
‐ Smelling salts were a
bit much, weren't they?

487
00:28:53,075 --> 00:28:54,577
‐ Hey, I like to be authentic.

488
00:28:54,577 --> 00:28:56,412
‐ Listen, buy me some time.

489
00:28:56,412 --> 00:28:59,956
‐ Okay, I'll wait for
you out here, senora.

490
00:29:03,092 --> 00:29:05,828
(dramatic music)

491
00:29:39,896 --> 00:29:40,327
‐ Excuse me.

492
00:29:41,898 --> 00:29:44,667
(dramatic music)

493
00:29:55,511 --> 00:29:57,079
‐ Destroy the dove?

494
00:30:00,790 --> 00:30:02,524
Spring Board, this is
Sarong, do you read me?

495
00:30:02,524 --> 00:30:03,826
‐ [Krissie] Loud and clear.

496
00:30:03,826 --> 00:30:05,795
‐ It seems as though our hero

497
00:30:05,795 --> 00:30:09,732
has come here for more
than just his honeymoon.

498
00:30:15,404 --> 00:30:19,576
(dramatic music)
(clicking of footsteps)

499
00:30:38,294 --> 00:30:39,461
‐ Quick, come on, let's go!

500
00:30:45,067 --> 00:30:48,070
(suspenseful music)

501
00:31:02,692 --> 00:31:06,095
‐ Now you're sure the fax
said Lassiter's the assassin?

502
00:31:06,095 --> 00:31:09,666
‐ Absolutely, my Arabic's
rusty but not that rusty.

503
00:31:09,666 --> 00:31:11,968
‐ So we don't know when or
where this hit's gonna happen.

504
00:31:11,968 --> 00:31:14,436
‐ None.
‐ I can't believe he turned.

505
00:31:14,436 --> 00:31:16,238
‐ Neither can I.

506
00:31:16,238 --> 00:31:17,974
Which brings us back to
my theory about those

507
00:31:17,974 --> 00:31:19,141
two missing days.

508
00:31:19,141 --> 00:31:20,409
‐ If he really was captured,

509
00:31:20,409 --> 00:31:21,978
why didn't they just kill him?

510
00:31:21,978 --> 00:31:25,014
‐ Well maybe he was worth
more alive than he was dead.

511
00:31:25,014 --> 00:31:26,883
Brainwashing.

512
00:31:26,883 --> 00:31:28,985
‐ Of course, very clever.

513
00:31:28,985 --> 00:31:31,487
‐ Tommy, you're into this
zen mind control stuff.

514
00:31:31,487 --> 00:31:33,022
Can you run through it for us?

515
00:31:33,022 --> 00:31:34,991
‐ Well, my guess is they'd
use a combination of drugs

516
00:31:34,991 --> 00:31:38,060
and physical restraint to
make Alex feel helpless.

517
00:31:38,060 --> 00:31:39,762
They alternate between
torture and reward

518
00:31:39,762 --> 00:31:42,031
until he's totally broken down.

519
00:31:42,031 --> 00:31:43,432
He's got no will of his own.

520
00:31:43,432 --> 00:31:44,433
‐ Low lifes.

521
00:31:45,868 --> 00:31:47,003
‐ Yeah, and once he's
completely lost his will,

522
00:31:47,003 --> 00:31:48,304
they plant a trigger,

523
00:31:48,304 --> 00:31:50,573
and it's every time
he hears or sees it,

524
00:31:50,573 --> 00:31:51,808
he acts accordingly.

525
00:31:51,808 --> 00:31:53,576
‐ Don't wanna do
their own wet work,

526
00:31:53,576 --> 00:31:55,244
so they turn one of our guys.

527
00:31:55,244 --> 00:31:58,581
‐ And the only way they'd
be sure he'd follow orders

528
00:31:58,581 --> 00:32:00,189
would be to run a test.

529
00:32:00,189 --> 00:32:01,023
‐ Simone.

530
00:32:02,792 --> 00:32:04,827
‐ Well, we're gonna
have to un‐trigger him.

531
00:32:04,827 --> 00:32:06,028
‐ If we can find out
what the trigger is,

532
00:32:06,028 --> 00:32:08,397
we can use it to
reprogram his mind.

533
00:32:08,397 --> 00:32:10,399
‐ We don't have
the time for that.

534
00:32:10,399 --> 00:32:11,834
‐ Is there any more, Tommy?

535
00:32:11,834 --> 00:32:14,070
‐ Well, to make sure he
wasn't accidentally triggered,

536
00:32:14,070 --> 00:32:16,138
they'd use something
that's unusual

537
00:32:16,138 --> 00:32:18,641
or not indigenous to the area.

538
00:32:19,508 --> 00:32:20,843
‐ Like a scarab.

539
00:32:23,680 --> 00:32:25,915
I found one in the hotel suite.

540
00:32:25,915 --> 00:32:30,587
I left it on the table,
maybe it's still there.

541
00:32:30,587 --> 00:32:32,088
‐ He's coming out.

542
00:32:43,532 --> 00:32:44,834
‐ [Mike] You get the scarab?

543
00:32:44,834 --> 00:32:45,668
‐ Got it.

544
00:32:55,544 --> 00:32:58,280
(dramatic chord)

545
00:33:02,859 --> 00:33:06,062
(tires squealing)

546
00:33:06,062 --> 00:33:08,798
(exciting music)

547
00:33:35,257 --> 00:33:36,926
‐ Spring Board, this
is Platform, come in.

548
00:33:36,926 --> 00:33:38,527
We've lost the cab.

549
00:33:39,829 --> 00:33:42,098
‐ I've got them, Platform.

550
00:33:42,098 --> 00:33:44,366
They're heading north
on the main drag.

551
00:33:44,366 --> 00:33:45,401
‐ How long, amigo?

552
00:33:45,401 --> 00:33:46,903
‐ Four and a half.

553
00:33:48,337 --> 00:33:50,607
‐ Well, they're either
heading towards the airport,

554
00:33:50,607 --> 00:33:53,275
to the marina, or the bull ring.

555
00:33:55,177 --> 00:33:57,847
Wait a minute, the bull ring.

556
00:33:57,847 --> 00:34:00,957
Didn't Ashley overhear the
Arabs talking about a ring

557
00:34:00,957 --> 00:34:02,191
on that phone call?

558
00:34:02,191 --> 00:34:03,993
‐ That must be it, the
season starts today.

559
00:34:03,993 --> 00:34:05,728
‐ And isn't Senor Sanchez doing

560
00:34:05,728 --> 00:34:07,697
the opening
ceremonies this year?

561
00:34:07,697 --> 00:34:10,366
And the oil cartel members,
they're guests of honor.

562
00:34:10,366 --> 00:34:13,235
‐ I'll bet you one of them is
gonna be Lassiter's target.

563
00:34:13,235 --> 00:34:14,637
‐ [Cat] Platform,
this is High Dive.

564
00:34:14,637 --> 00:34:15,838
I found the scarab.

565
00:34:15,838 --> 00:34:17,473
‐ Okay, tell Sarong
and the others,

566
00:34:17,473 --> 00:34:20,476
rendezvous outside
the bull ring, pronto.

567
00:34:20,476 --> 00:34:23,245
(crowd cheering)

568
00:34:36,358 --> 00:34:37,627
We're gonna have
a hell of a time

569
00:34:37,627 --> 00:34:40,229
finding Alex in this crowd.

570
00:34:40,229 --> 00:34:43,465
‐ This is Sarong,
do you read me?

571
00:34:43,465 --> 00:34:45,802
‐ Yeah, so far nothing.

572
00:34:45,802 --> 00:34:48,370
‐ Just, you guys go that way,
I'm going this way all right?

573
00:34:48,370 --> 00:34:49,205
‐ Okay.

574
00:34:55,978 --> 00:34:57,413
‐ It's him.

575
00:34:57,413 --> 00:35:00,156
Platform, this is
Deep End, we got him.

576
00:35:00,156 --> 00:35:01,558
That's one of the guys
I saw Alex talking to

577
00:35:01,558 --> 00:35:03,459
in the parking lot yesterday.

578
00:35:03,459 --> 00:35:07,296
‐ I'll stick with him,
you take the Commander.

579
00:35:13,335 --> 00:35:16,072
(crowd cheering)

580
00:35:19,241 --> 00:35:23,145
(audience applauds and cheers)

581
00:36:09,632 --> 00:36:12,802
(whacks)
(crowd cheering)

582
00:36:29,652 --> 00:36:31,087
‐ Platform, this is Deep End.

583
00:36:31,087 --> 00:36:32,521
‐ Yeah, Deep End, where are you?

584
00:36:32,521 --> 00:36:34,356
‐ On the east side
near a men's room.

585
00:36:34,356 --> 00:36:35,858
‐ Okay, keep searching
the bleachers.

586
00:36:35,858 --> 00:36:37,860
I'm gonna be down below.

587
00:36:39,929 --> 00:36:42,064
‐ They've lost him.

588
00:36:42,064 --> 00:36:43,700
‐ Cat, take that entrance.

589
00:36:43,700 --> 00:36:45,367
I'm going over here.

590
00:36:48,304 --> 00:36:52,241
(audience applauds and cheers)

591
00:37:15,270 --> 00:37:17,239
(mysterious music)

592
00:37:34,657 --> 00:37:36,593
(dramatic music)

593
00:37:41,463 --> 00:37:43,966
‐ Where's Lassiter?
(spits)

594
00:37:43,966 --> 00:37:47,637
(crowd cheers and applauds)

595
00:38:02,358 --> 00:38:05,127
(dramatic music)

596
00:38:44,100 --> 00:38:45,067
‐ No, Commander, don't!

597
00:38:49,105 --> 00:38:53,342
(wood breaking and falling)

598
00:38:53,342 --> 00:38:55,044
Wait, wait, wait.

599
00:38:55,044 --> 00:38:55,878
Look man.

600
00:38:55,878 --> 00:38:56,946
The Iraqis captured you.

601
00:38:56,946 --> 00:38:58,447
They used this to brainwash you.

602
00:38:58,447 --> 00:38:59,889
They made you kill your wife.

603
00:38:59,889 --> 00:39:02,091
That's what all the
bad dreams were about.

604
00:39:02,091 --> 00:39:03,192
Trust me, I'm your friend.

605
00:39:03,192 --> 00:39:07,363
(yells)
(gun shots)

606
00:39:13,770 --> 00:39:17,940
(gasping)
(sad music)

607
00:39:30,019 --> 00:39:32,321
‐ The Commander and
I were on the way in

608
00:39:32,321 --> 00:39:34,824
when we saw a man on
the roof with a rifle.

609
00:39:34,824 --> 00:39:36,993
Realizing he wasn't
one of your men,

610
00:39:36,993 --> 00:39:38,995
the Commander climbed
up on the roof,

611
00:39:38,995 --> 00:39:42,865
and wrestled for
possession of the gun.

612
00:39:42,865 --> 00:39:44,466
They fell off, and.

613
00:39:45,602 --> 00:39:47,937
‐ And when they
fell to the ground?

614
00:39:47,937 --> 00:39:49,338
What did you do then?

615
00:39:49,338 --> 00:39:52,174
‐ Well, I came in to
help the Commander.

616
00:39:52,174 --> 00:39:56,345
But by the time I got there,
the gun went off twice.

617
00:39:57,780 --> 00:40:00,522
‐ It is a story of
great convenience.

618
00:40:00,522 --> 00:40:02,524
‐ What do you mean by that?

619
00:40:02,524 --> 00:40:05,094
‐ Only one person
lives to tell it.

620
00:40:05,094 --> 00:40:06,629
‐ Are you suggesting
that I'm lying?

621
00:40:06,629 --> 00:40:09,498
‐ Oh no, no no, Senor Savage.

622
00:40:09,498 --> 00:40:11,200
What would be your purpose?

623
00:40:11,200 --> 00:40:13,035
‐ You tell me, Colonel.

624
00:40:13,035 --> 00:40:16,305
The bottom line is an
American war hero died today,

625
00:40:16,305 --> 00:40:18,808
saving the life of
your oil minister.

626
00:40:18,808 --> 00:40:22,879
‐ For which Senor
Sanchez is most grateful.

627
00:40:22,879 --> 00:40:25,682
Your friend, I'm very
sorry what happened.

628
00:40:25,682 --> 00:40:30,286
What he did was truly
very brave and un‐selfish.

629
00:40:30,286 --> 00:40:33,623
My country, we will
always be indebted to him.

630
00:40:33,623 --> 00:40:36,025
Senora Ashley, buenas tardes.

631
00:40:37,259 --> 00:40:38,327
Senor Savage.

632
00:40:39,662 --> 00:40:42,498
(dramatic chords)

633
00:40:46,703 --> 00:40:50,139
‐ It's clear that by using
Lassiter for the assassination,

634
00:40:50,139 --> 00:40:54,476
the Iraqis are trying
to implicate the
American government.

635
00:40:54,476 --> 00:40:56,378
‐ They almost got
away with it, too.

636
00:40:56,378 --> 00:40:58,981
‐ The President has asked
me to convey his thanks

637
00:40:58,981 --> 00:41:00,489
to the HEAT team.

638
00:41:00,489 --> 00:41:02,725
It's a fine effort to uphold
Commander Lassiter's image

639
00:41:02,725 --> 00:41:05,261
as a true American hero.

640
00:41:05,261 --> 00:41:07,764
‐ Tell Mr. President
it was our privilege.

641
00:41:07,764 --> 00:41:09,966
‐ Too bad Alex didn't
live to know the truth.

642
00:41:09,966 --> 00:41:12,602
‐ We all share
your regret, Mike.

643
00:41:12,602 --> 00:41:14,671
To make sure that Commanader
Lassiter retains his

644
00:41:14,671 --> 00:41:17,006
rightful place in history,
he was buried today

645
00:41:17,006 --> 00:41:18,675
with full military honors.

646
00:41:18,675 --> 00:41:20,577
Simone was buried next to him.

647
00:41:20,577 --> 00:41:22,111
‐ It's too bad we
couldn't have been there.

648
00:41:22,111 --> 00:41:23,312
‐ You'll also be pleased to know

649
00:41:23,312 --> 00:41:25,782
that Hamid has been
indicted for terrorism.

650
00:41:25,782 --> 00:41:27,516
‐ Well, that's one consolation.

651
00:41:27,516 --> 00:41:29,051
‐ And here's another.

652
00:41:29,051 --> 00:41:32,755
The oil cartel is preparing
to offer Mexico financial aid

653
00:41:32,755 --> 00:41:34,490
even as we speak.

654
00:41:34,490 --> 00:41:37,193
Thanks to the HEAT team,
a brave American's image

655
00:41:37,193 --> 00:41:39,829
wasn't tarnished and
U. S.‐Mexican relations

656
00:41:39,829 --> 00:41:42,665
didn't receive a
permanent black eye.

657
00:41:42,665 --> 00:41:45,968
Unaccustomed as I
am of saying this,

658
00:41:45,968 --> 00:41:48,871
very proud to be
associated with you.

659
00:41:48,871 --> 00:41:50,306
All of you.

660
00:41:50,306 --> 00:41:51,841
‐ Careful there, Mr.
Smith, but that sounds like

661
00:41:51,841 --> 00:41:53,976
an outright compliment to me.

662
00:41:53,976 --> 00:41:56,012
‐ Thanks for
reminding me, Michael.

663
00:41:56,012 --> 00:41:59,689
I wouldn't want to
totally destroy my image.

664
00:41:59,689 --> 00:42:01,090
To the real hero.

665
00:42:01,958 --> 00:42:03,560
To Commander Lassiter.

666
00:42:03,560 --> 00:42:04,861
‐ To Commander Lassiter.

667
00:42:04,861 --> 00:42:07,797
(fast‐paced music)

668
00:42:10,633 --> 00:42:12,735
‐ [Narrator] Next
on Acapulco HEAT

669
00:42:12,735 --> 00:42:14,737
an exotic island paradise

670
00:42:14,737 --> 00:42:16,739
hides a sinister secret.

671
00:42:19,609 --> 00:42:23,212
As the HEAT team uncovers
a covert operation

672
00:42:23,212 --> 00:42:26,716
that deals in nuclear
arms for money.

673
00:42:26,716 --> 00:42:30,887
Now, to stop a mercenary dealing
in black market missiles,

674
00:42:32,789 --> 00:42:36,659
they'll have to put
their lives on the line.

675
00:42:36,659 --> 00:42:38,828
On the next Acapulco HEAT.

676
00:42:40,096 --> 00:42:42,599
(theme music)